Made while Bong Joon Ho was studying at the Korean Academy of Film Arts, this black-comic triptych displays the formal control and class-conscious, satiric sensibility that that he would unleash in full force in international sensations like MEMORIES OF MURDER, THE HOST, and PARASITE. In three distinct episodes—involving a distinguished professor hiding his predilection for smut, a newspaper boy out for revenge, and a drunken lawyer in desperate need of a toilet—that converge in a surprising epilogue, Bong harnesses his emerging cinematic mastery to skewer the hypocrisies of the powerful and self-important.

Watch Here